History of Aesthetics
    Georg Wilhelm Friedrich Hegel

    History of Aesthetics

    Reference: philosophy
    E£160.00
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    Man creates masterpieces of literature and art, but he does not want to be satisfied with this, but rather he wants to understand what is behind his creativity.

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    A person tastes these masterpieces, but he does not want to be limited to this. Rather, he wants to understand the secret of the process of taste and is there a common ground among the tasters, or is every person has his taste? And he is not satisfied with enjoying the beauty, but he wants to put his hand on its sources and keys and disperse its seals and secrets. Man is not satisfied with crowding out nature, reconfiguring it according to his human purposes and goals. Rather, he is multiplying himself and wants to see himself in the artwork that has acquired an aesthetic face. It beautifies his life.

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    Data sheet

    ISBN
    978-977-384-269-4
    Author
    Friedrich Hegel
    Translator
    Mejahed Abdelmeaim mejahed
    Original Language
    English
    Language
    Arabic (Translated)
    Format
    Paperback
    Publishing House
    Maktabet Dar El Kalema Publishing House
    Number of Pages
    220
    Product Dimensions
    20×12.5×1.3 cm
    Product Weight
    242gm

    Specific References

    ISBN
    978-977-384-269-4
    UPC
    978977384269

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    Description

    Man creates masterpieces of literature and art, but he does not want to be satisfied with this, but rather he wants to understand what is behind his creativity.

    Repetition means getting our cognitive and moral bearings not through prompted remembering, but quite unexpectedly as a gift from the unknown, as a revelation from the future. Repetition is epiphany that sometimes grants the old again, as new, and sometimes grants something radically new.

    A companion piece to The Concept of Anxiety, this work continues Søren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher.

    In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.

    In this enlightening study, renowned twentieth-century theologian Dietrich Bonhoeffer offers a careful textual analysis of the story of creation, approaching the biblical tale of Genesis with the eye of a philosopher and the soul of a true Christian.

    ISBN
    978-977-384-269-4 978-977-384-277-5 978-977-384-283-5
    Author
    Friedrich Hegel Soren Kierkegaard Soren Kierkegaard Dietrich Bonhoeffer
    Translator
    Mejahed Abdelmeaim mejahed Mejahed Abdelmeaim mejahed Mejahed Abdelmeaim mejahed Maher Nekles Neseim
    Editor
    Mohamed H. A. Ghoneam Mohamed H. A. Ghoneam Dr. Gerges Melad
    illustrator
    Maher Nekles Neseim
    Dietrich Bonhoeffer
    Original Language
    English English English English
    Language
    Arabic (Translated) Arabic (Translated) Arabic (Translated) Arabic (Translated)
    English
    Format
    Paperback Paperback Paperback Paperback
    Publishing House
    Maktabet Dar El Kalema Publishing House Maktabet Dar El Kalema Publishing House Maktabet Dar El Kalema Publishing House Maktabet Dar El Kalema Publishing House
    Number of Pages
    220 274 230 pages
    Product Dimensions
    20×12.5×1.3 cm 21.2×12.2×1.5 22×11.2×1.3 cm.
    Product Weight
    242gm 284 gm 262 gm